Bob Bednar's Communication
Courses for Fall 2003
COM 75-463: Organizational Communication
Prerequisites: 75-113, 75-133 or consent of instructor
Class Meetings:
MW 2:00 3:15, CB 24
Course Description:
This experiential, project-based course is radically collaborative
in nature‹focusing throughout the semester on an ethnographic research project in
which the entire class works together to build and participate in an organization
whose purpose is to study and represent the "culture of
communication" within Southwestern University as an organization.
Along the way, the course introduces students to the field of
organizational communication, which investigates the interpersonal, group, and
mass communication patterns and processes within a wide variety of
organizations, both public and private. Organizing is viewed as a dynamic
process of communication situated within the larger cultural context it
"speaks" to and from, so special emphasis is placed on ethnographic
methods for analyzing organizations current in cultural studies of
organizational culture.
Grading Components:
Collaborative
Group Research Project, 40%; Mid-Term Exam 20%; Class Participation, 30%;
Classwork, 10%
Required Texts:
Eric Eisenberg and
H.L. Goodall, Jr., Organizational Communication: Balancing Creativity and
Constraint, 3rd Ed. (2001);
and a Course Packet of selected readings
COM 75-613: Journalism
Prerequisites: 75-113, 75-133
Class Meetings: TH, 2:30 5:00, FWO 324
Course Description:
This writing intensive course considers the character, purposes, and
subject matter of short, analytical non-fiction narrative composition, with a
special emphasis on the writing of newspaper feature stories and magazine
articles that use the documentary technique of "thick description" to
represent the richly textured, culturally grounded, "intimate lived
experience" of "ordinary people" enmeshed in "everyday
life." For the most part,
this is a hands-on course emphasizing active student involvement in the
processes of writing, critiquing, and revising student-produced non-fiction
narratives, but there is also a critical component designed to teach you the
critical skills necessary to effectively critique your own work and the work of
your colleagues in the class by studying and discussing non-fiction narrative
work produced by published authors and filmmakers.
Grading Components:
Article 1: Personal Experience Narrative, 15%; Article 2: Profile Narrative, 20%; Article 3: Comprehensive Non-Fiction Narrative, 40%; Classwork/Class Participation, 25%
Required Texts:
Walt Harrington
(ed.), Intimate Journalism: The Art and Craft of Reporting Everyday Life (1997); Jon Krakauer, Into the Wild (1996); and 3 documentary films: Stranger
With a Camera, Five
Girls, and Fast, Cheap
& Out of Control
COM 75-783: Advanced Mass Communication
Prerequisites: 75-113, 75-133, 75-683
Class Meetings: TTh, 1:00 - 2:15, FWO 208
Course Description:
This course explores approaches to the production and
analysis of visual media texts that have emerged in the fields of visual
communication, media studies, visual culture, and cultural studies. Attention is directed to the major
products of mass media industries--especially advertisements, film,
fiction/nonfiction television programs, and web sites--but also to popular
forms of photography, desktop publishing, multimedia, technical illustrations,
and educational materials. Our
primary focus is on analyzing visual texts as situated "sites of
meaning" that are embedded in particular cultural contexts; our secondary
focus is on applying what we learn in studying cultural studies and semiotic
analytical methods to the production of the students' own media texts. Writing and production techniques are incorporated throughout
the course with intensive workshops, regular analytical projects, and research, and culminate
in the collaborative production of a virtual exhibit of student web page
projects.
Grading Components:
Two Exams, 30%;
Individual Research Project, 20%; Four Everyday Application Papers (EAPs), 15%;
Participation in Collaborative Web Page Production, 10%; Classwork, 10%; Class
Participation, 15%
Required Texts:
John Fiske, Introduction
to Communication Studies
(1991); Gunther Kress and Theo van Leeuwen, Reading Images: The Grammar of
Visual Design (1996).
Information about these courses is available at: www.southwestern.edu/~bednarb