Critical/Cultural Methods

COM 75-804-01

 

Methods Project Posters, Fall 2020

 

Tyler Anderson 'And For That Reason, I'm Out': Identification in ABCs Shark Tank		Haley Black What Happened in Kenosha?: Media Framing of Kyle Rittenhouse and the Kenosha Unrest Shooting		Sarah Bowen Old Glory, or Just Old?: Using the American Flag to Signal Political Affiliation in the Age of Polarization		Isaac Chivers The Dichotomy Between Being Valuable and a Threat in Watch Dogs 1 & 2
Mario Foltz Fey, Feminism, and Female Comedies: How Mean Girls is Read and Constructs its Femininities		Connor Moland Cuties and the Not-so-Cute: A Netnographic Analysis of Online Reactions to Cuties		Audrey Payton Midsommar Madness: Navigating Scream Queens, the Horror Genre, and Feminism		Valeria Salgado Broad City: The Use of Humor in a Serious World
Aidan Sweeney 'Who's Got the Blues?': How the Blues Shaped American Music and Continues to Do So		Hannah Thompson Watching and Being Watched: The Intersection of Masculinity and Surveillance in the BBC's Bodyguard		Thomas Volpe Trump's Twitter: Power and a Problematic Rhetoric		Ryan Wilburn 'Real Hot Girl Shit': Negotiating Ideologies of Gender and Race in Megan Thee Stallion's New York Times 2020 Op-Ed

Methods Project Posters, Spring 2020

 

Abby Adams It's Just a Prank, Bro: How Logan Paul's Infamous 'Suicide Forest' Video is a Part of a Larger, More Problematic Community on YouTube		Sara Anderson Houston Astros Scandal: Hysterical Internet Trolls vs. the Facts		Alexis Barrientez Called Into Action--Do You See What He Sees?: Twitter and Interpellation		Michael Glode The Futsal Shuffle: 'Yo, Sing This Sh*t. Are Ya'll F**ckin' Dumb?''
Nathan Goldman 'The Day of Defiance': Textual Analysis of Winston Churchill's 'We Shall Fight on the Beaches' Speech		Abby Grant Savage x Fenty: A Shift to a More Inclusive Fashion Show		Savannah Laporte The All-American Boyband: Brockhampton Tests the Boundaries of Performativity and Identity in Hip-Hop		Regan Mashburn 'Keeping it Tighter Than the Babysitter': How Popular Media Reacted to Peloton's 2019 Holiday Commercial
Davin Masur Cancelling Myles Garrett: Twitter Outrage Culture and NFL Suspensions		Claire Misfeldt Anakin vs. Anakin: How Different Adaptations of Anakin Skywalker from Star Wars Represent Hegemonic Masculinity		William Pendygraft Gospel Sounds of the Ghetto: How Rod Wave Relates to His Audience in the Emotional Album Ghetto Gospel		Sam Ramon The Discourse of Hip-Hop How DJ Screw's All Screwed Up Rhetorically Embodies Its Own Subject of 'Addiction'
Kate Russell The Circle of Performativity: How Netflix's Reality TV Show The Circle Displays Digital Human Interaction, Performativity, and Surveillance		Molly Selz Happily Never After: How This 'Must Marry' TV Show Perpetuates Gender Binaries		Sydney Ward A Golden Afterlife: Nostalgic Fan Expressions and Prosthetic Memory of The Golden Girls		Daniel Winkler 'We Don't Care What People Say': Higher Education, Race, and Success according to Kanye West's The College Dropout

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Design, Photography, and Text © 2021 by Bob Bednar Department of Communication Studies Southwestern University Georgetown, Texas 78626 USA vox: (512) 863-1440 email: bednarb@southwestern.edu