What's In The Glass?
  



The ads displayed such as "Black Velvet" and "Dewar's scotch" shows women who are gently and seductively teasing the hetero-normative male viewer to join her. The two women are in a formal black dresses and both are attempting to hail the viewer to buy into the myth that with the whiskey they are drinking they will immediately become more manly and classy. Myth can be seen as dangerous because, "it is perceived as something 'natural', as a factual system when it is in reality, a cultural system. When we come upon a 'natural' reality there is nothing to discuss or question, since it is the 'norm', the 'pattern' (Salvador 80)". At first glance one can assume, by the words "Seductively Smooth" in the image of "Black Velvet" and the gaze of the woman in the "Dewars" ad, that both women are trying to seduce the viewer into becoming a man. The term becoming a man is one that can be loosely interpreted. The word manly to me reminds me of the times the older males in my family would drink their whiskey; it was always straight. Through my interpretation of the ad it isn't the female that will guide you to a world of masculinity, even though our culture says differently, it is the way you drink what she is holding. In both ads the woman is holding a glass of scotch whiskey served straight or on the rocks. As I have been interpellated, drinking your liquor straight or on the rocks means you are able to put up with the harsh taste of whiskey, and by my family's standards considered tough. I remember at a party a few years back a friend of mine was drinking out of a nice crystal glass. Inside was whiskey served neat. Everyone at the party was drinking out of red solo cups and most certainly weren't drinking straight whiskey. I asked him why he was drinking whiskey out of a crystal glass? He answered me with five words, "Because I'm a classy man". I wondered why he thought that but after pondering on the thought for a while I realized that before I asked him that question I already had a preconceived notion that he was being pretentious. When drinking your liquor straight you seem to everyone else more sophisticated because you seem to have developed a refined taste to liquids that would make others cringe. One can deduct that taking the time and effort as well as training the palate for the ability to enjoy whiskey neat or on the rocks means that you have obtained the cultural knowledge to enjoy such a drink.

It has become a stigma in our culture that being manly is repressing your emotions; therefore enduring a strong bite in your alcohol is the physical representation of enduring life. This refined taste is usually associated with an older man, one that has been through the trials and tribulations of life. It has become a sign in our culture that with age comes sophistication and it is the same with whiskey. Whiskey can be seen as synonymous with that of an older man. Culture and age are what make whiskey and men who they are. Whiskey that is perceived as classy has been through and extensive aging process and if the developers take as much time to make a 'perfect' product you as a consumer should take the time to enjoy it as it was made. As you can notice polysemy comes into effect. Polysemy is considered, "the result of both compositional operations in the [lexica] semantics, such as coercion and co-composition, and of contextual effects, such as the structure of rhetorical relations in discourse and pragmatic constraints on co-reference", or in more simplistic terms a sign that has multiple meanings (Willems 238). Through the eyes of a heterosexual male growing up in the south, drinking your whiskey straight has become almost as a rite of passage. My family once coerced me into drinking "snake bite" (whiskey neat) out of a flask while I was a boy hunting. My grandfather told me that if I wanted to warm up and put some hair on my chest I should take a swig from his flask. As a prepubescent boy it was hard to make myself do it, although, when I summed up the strength to swallow the harsh liquid I immediately felt older and more knowledgeable. These meanings are from the diegesis of my observation. The essay "Pursuing the Meaning of Meaning" explains packaging in the advertising world perfectly, "the marketer seeks to construct an image of the intended consumers and to shape their motivational and behavioral responses to the product" (Mick et al 14-15). These techniques have worked to anchor the meaning I associate whiskey with. They have created a culture through advertising that strengthens and reaffirms what ideals have been created through my own experience. It is not clear that advertising alcohol has a direct effect on consumption however, "changing attitudes towards drinking, personal preference shifts in brand choice or the creative appeals used by the brands, may no doubt have had an impact on consumption of these brands" (Wilcox, Kacy, Schulz 830).


  



The ads shown have the woman as the centerpiece of desire. As I see it they can only be obtained with the lifestyle that is achieved through drinking whiskey as is pictured. The Black Velvet ad shows the woman in a black, velvet, backless dress and she is drinking her Black Velvet that appears to be on the rocks. The Dewar's ad is much more complicated. The background has all types of signified objects, that in contemporary culture, portray classiness; a fur coat, an immaculate chair a beautiful expensive looking watch and on top of all that the woman with piercing eyes shoots you the look of desire. This ad shows the viewer that this woman's gaze holds the viewer to a higher standard, a standard that many would consider to be a life worth wanting. In my experience I have seen men that identify with class own these particular items. These ads have interpellated me into thinking that after a couple of glasses of this scotch whiskey presumably served neat; I will find myself decorated in a lifestyle of class.

 

| Opening Page | Growing Up In The South| The Preferred Unknown |

 


References

Mary Yoko Brannen, et al. "Pursuing The Meaning Of Meaning In The Commerical World: An International Review Of Marketing and Consumer Research Founded On Semiotics." Semiotica 152.1-4 (2004):1-74. Communication & Mass Media Complete. Web. 7 May 2013.

Salvador, Pau. "The Myth Of The Natural In Advertising." Catalan Journal Of Communication & Cultural Studies 3.1 (2011): 79-93. Communication & Mass Media Complete. Web. 7 May 2013

Wilcox, Gary B., Kim Kyunkok Kacy, and Heather M. Schulz. "Liquor Advertising And Consumption In The United States: 1971-2008." International Journal of Advertising 31.4 (2012): 819-834. Communication & Mass Media Complete. Web. 7 May 2013

Willems, Klass. "The Linguistic Sign At The Lexicon-Syntax Interface: Assumptions And Implications Of The Generative Lexicon Theory." Semiotica 193.1-4 (2013): 233-287. Communication & Mass Media Complete. Web. 7 May 2013