Uncle Sam: America's "Pointing Finger"

Uncle Sam is one of the most iconic figures in American propaganda. He has appeared in numerous posters, advertisements, parodies, television shows, and just about any other media source you could name. This is the earliest Uncle Sam poster I could find. In this 1917 poster, Uncle Sam is most definitely the main force of interpellation. He is wearing the hat and suit that he wears in all of the other posters he will later appear in, although the stars on the breast of the suit are actually only in this poster. The anchorage in the image is asking the viewer to volunteer, and lists the different branches of the military that one could join. By giving the viewer options, Uncle Sam is using a propaganda technique that allows the viewers to become more comfortable and not simply blow the ad off as the propaganda that it is. The target audience of this poster is likely younger males, much like the early Navy, Marines and Army posters. This is mostly due to the era in which they were prominent.
This is the most current image including Uncle Sam that I could find. It was released shortly after the September 11th attacks. In this image, Uncle Sam is missing his trademark hat that often tells us who he is. The colors of his jacket are also darker than in most of the images. Also, his bowtie is undone. In fact, if it wasn't for the context and the unique beard that Uncle Sam has, it would be difficult to determine if this was him or not. The most striking and interpellative imagery in this poster, to me, is the look on the old man's face. He is screaming in what appears to be pain or anger, or possibly a mixture of the two. There is no mortise or anchorage except the cryptic "Remember WOTC, Sept. 11, 2001". This could possibly be the most powerful form of propaganda. Most propaganda uses rhetorical devices to sway the audience and convince them of some form of truth. There is no convincing to be done here, however. Uncle Sam knows what happened that day. The audience knows what happened that day. Nothing more need be said aside from the shared rage that the poster urges us to feel through the ethos carried on Uncle Sam's face.

Dimaggio says that "increasingly, activist networks are promoting their own definitions through community media." This applies to propaganda images as well. The final image, "Remember WOTC" is actually a popular image on the internet and not put out by the government. This does not change the fact, however, that the image still is used as an institutional technology to promote the regime of truth set up by the United States government as an institutional apparatus. In fact, it is a blatent promotion of the institution, whether or not the author meant it to be used as such. Community media takes on the role of a shifting text that can be interpreted differently by anyone who reads it. However the interpretation is based much on the context in which the image is set. (Dimaggio, "Examining American News in the "War on Terror")
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