Sexuality |
Sex sells. That's one of the most basic concepts behind marketing
something today. Sexuality catches the attention of the audience.
Because most people want to be viewed sexually by other people,
insinuating that whatever product is inherently sexual gives the
idea that you will become more sexual if you have it. Similarly,
seeing sexuality in a story makes people think that they could do
that, too. They could have that same kind of sexuality or romance
in their real lives. And it's fun to fantasize about, anyway. |
Sexuality is one of the most gripping parts of a story. It is what
connects an audience to the relationships between the characters.
Seemingly overlooked sexual tension between characters pulls people
back to the story time and time again. The audience wants to know
if and when the characters will finally acknowledge and deal with
that sexual tension. In the meantime, the tension between the
characters keeps building stronger and stronger, making it more
intriguing. |
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Audiences' connection to these characters and their sexuality can be
explained by Elke Van Damme when she says that "media do not reflect
or present reality; they interpret and provide a possible
presentation of reality" (Damme 80). The sexuality from and between
the characters in these shows is something that normal people
fantasize about. We want to have these kinds of relationships and
behave in these kinds of ways but do not because we realize that it
would not be socially acceptable or because we chicken out. These
kinds of actions may not come naturally to us, so we dream about the
ability to act the way these characters do but do not act on our
desires in real life. Instead, we live out these desires through
the characters. |
Works Cited on this page |
Damme, Elke Van. "Gender and sexual scripts in popular US teen
series: A study on the gendered discourses in One Tree Hill and
Gossip Girl." Catalan Journal of Communication & Cultural Studies
(2010): 77-92. |
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