Gender Roles
Gender plays a major part in any story, laying the groundwork for the characters' actions and personalities. Creators of stories use stereotypes of gender roles to determine how their characters will act and interact. In a way, gender is what first connects an audience member to a character in a story. Heterosexual women tend to connect to female characters as fellow women who experience many of the same challenges and excitements as they do and to men in a more sexual way. Homosexual women tend to connect to female characters in a more sexual way. Heterosexual and homosexual men connect to male characters in much the same ways, respectively. Women can also connect to male characters, and men to female, but in very different ways. Instead of connecting with a character based on similarities, they tend to connect in a more sexual way.
In the late 1800s, there was a "gendered ideology" that paired "that which is civilized with the feminine and that which is uncivilized with the masculine" (Wyman and Dionisopoulos 32). What this pairing did was create an expectation for women to be more motherly, nurturing, delicate, and civilized, and for men to be aggressive, indulgent, destructive, and primitive. The characters in Bram Stoker's Dracula demonstrate these characteristics. But Stoker's story is one from the Victorian age. Have these characteristics been maintained in popular characters today?
According to Wyman and Dionisopoulos, the mass media has the ability to "define what is normal and what is deviant" but is best at "embellishing attitudes already in place" in society (Wyman and Dionisopoulos 35). What this means is that people see something on television, such as depictions of gender roles, and come to understand it as normal. But they can only see it that way because it has already been placed in society as acceptable, or on its way there. Take, for example, homosexuality. Before homosexuality became more visible on television and movies, there was a social movement in place to gain acceptance for homosexuals. The introduction of the movement to movies and television shows proved the placement of the movement as important in society. The placement in movies and television shows also helped to cement the movement in the minds of the audiences and encouraged the people to accept homosexuality as normal. The longer that homosexuality remains on television, the more normal it becomes to people.
The ability of mass media to "embellish attitudes already in place and inspire behaviors for which the seeds have already been planted" (Wyman and Dionisopoulos 35), means that the depictions of gender roles in television and movies should evolve with the changing times because popular ideals of gender roles have also changed. According to Barbara Welter, in the Victorian Era, women were "defined by the virtues of 'piety, purity, submissiveness, and domesticity'" (quoted in Kitch 245). In today's world, however, women are in the workforce, raising children on their own, and running companies. Women in the 2000s are supposedly strong and empowered with the ability to have sex with whomsoever they please whensoever they please.


The purpose of this section is to explore the changes in both the male and female gender roles that have occurred in vampire stories from the Victorian Era to today. To provide some clarity, I have divided the discussion between the two genders. The pages can be viewed in any order you please without inducing confusion.

Homepage Masculine Roles Feminine Roles Conclusion

Works Cited on this page
Kitch, Carolyn. "The American Women Series: Gender and Class in The Ladies' Home Journal, 1987." Journalism & Mass Communication Quarterly (1998): 243-262.

Wyman, Leah M. and George N. Dionisopoulos. "Primal Urges and Civilized Sensibilities: The Rhetoric of Gendered Archetypes, Seduction, and Resistance in Bram Stoker's Dracula." Journal of Popular Film and Television (1999): 32-39.